We must manage the volume of the channel and the gain level. I'll start to give guidance when cannal overdrive. The amp is heavy, it's big, but it is a guarantee of quality. The knobs are tight and not too "soft" when turning, not too "hard". It breaks the circuit to leave a mute, so it does not damage the preamp. I leave the mute turned on so I can turn my amp without having to plug in my bass jack. It's such a power, it must be preheated (it's still shorter than a light amplifier). I was scared the first time I used it because the light stays red 5sec and then turns green. One branch, hop Pasivas with my Fender P-bass (4c), active with my Warwick Corvette $ $ (5c). That's a lot of buttons! But it is very easy to use. Except that I wish I had a compressor much more useful than the filter edge. Two HP-10 " For me, these are the best characteristics of all amps of this price. On the back, an output to connect another cab. An XLR-out switch with pre / post-EQ and ground lift on / off. Output jack in / out for the effects loop Tuner-output (in agreement with the mute switch) -Output cannal footswitch for clean / overdrive. It's like putting the cornstarch in the sound, the ca thickens (yeah!) and a master volume. Simple and effective, that's what we found on the biggest names in the bass (markbass among others) knob-a boost which is great. Contour filter to dig the mediums = innutile except for the salp and again. Input jack with 3 buttons: active / passive (-10db pad) with an output mute tuner, to agree a silence without removing the plug from the amp and letting the amp on, and a selector cannal A / B (clean / distortion). The diffusion of the sound is even better. It is very convenient in cramped spaces or rehearsal concerts in bars or space is limited. Useful little trick, it can move into position "kickback" = mode its back. 34kg, they must feel when 200m with the amp alone. A conventional handle on the top of the amp and two very well-designed handles on either side of the combo. A large grille protects the well-resistant HP shocks. on the other hand, as there is a hole covered by a grid very solid for this fan, you can not ask for beer on the amp, in case they are reverse = pafff the transition! -Construction is solid, a coating "carpet" covering the entire combo. There is however a small fan on top of security of the amp which gets under way in the event of poor ventilation. Full transistor amp, it heats well, and all the passive ventilation. So 180W in normal use and if we add another cab, we go a 300W. It's a bit special because no one is not really a combo itself. A mass production coming straight from the U.S. Gallien Kruger Backline presentation of 210. I rachrerais this amp without hsitation, recognizing the need to pair it with a bowl 15 inches. At about 500 in thomman musicstrore or the ratio quality price of GK is for me the best available. For cons, I have a penchant for Ampeg, but when you compare the price, there is no comparison. If we want to harness the power of this amp (to be in 300 w, trs useful in concert) and really make it sound the bass (I play a Warwick Streamer LX 5 strings), it is essential to couple it with a 15-inch dish. I play in a pop / rock group, we have a broad range of compounds: reggae, rock, pop, ballads, etc. There are few examples in the manual of SETTING THE qualisation guiding far departure. I think this amp can be used to find any bass sound that will satisfy. Opportunities as rglages trs large, I have a while before finding one that suits me rglage. Special features of GK: rglage a contour (not bad for the slap) rglage a "boost" (which gives the sound a lot of PCHE) and an overdrive of hell (I have the feel like a guitar when I use it, even if it is for me a gadget plutt). Opportunities are rglages compltes trs: 4 buttons qualisation: treble, high and low mdium, bass. It is equipped for everything you need for scne and studio effects loop, line out (with prpost qualisation), foot switch, tuner. If the couple with a bowl suplmentaire, we get 300w. The backline is an amplifier transistor 210 teams of two bowls 10 inches.
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